Dir. Chiaureli tried to make a sharp contrast between Stalin and Hitler on their handling of their generals and military operations in film.

亞速成員的謝爾蓋-Botsman-科羅特基赫(Sergey Korotkih) 的4月2日片段顯示載藍色帶的人士是忠誠的（烏克蘭軍），沒戴或戴白色戴的則是可槍決的平民此一交戰規矩。 這即布恰大屠殺 / 布查大屠殺 / 布查慘案的真相。

馬里烏波爾居民及亞速，右區黨的民兵之間的矛盾不僅在整個俄烏衝突中屬於重大關鍵點，也是在反俄反華信息戰中佔了主要地位。

藉由俄烏衝突製造香港和大陸的分歧，以分化中國和俄羅斯。這不可避免地，必然同時帶有反中運動/反華顏色革命的因素。甚至，炒作的議題可以是任何中國及其友邦與西方衝突的議題。

既具體又脈絡化的歷史知識是抵抗假信息的最佳武器。此外，港內企業，媒體，機構都必須拒絕美國命令的反俄反華制裁。配不配合美國制裁，這才是愛國主義的最好的試金石。

Copyright © 2021 by Nakanishi, Ryota Published: 11/2021 ISBN: 978-988-76066-0-4 Length: 210 Pages

For the ruling class, like any other social discrimination / segregation, racism is a political tool to oppress class enemies.

The author of the original novel I Am Legend (1954), Richard Matheson (1926-2013) was and still is the Bram Stoker (1847-1912) of America.

Social function of narrative control (narrative structure) is to selectively exclude concrete social issues and the real context.

The first film was actually shot in Leeds, England on October 14, 1888 by the true father of film art, Louis Aimé Augustin Le Prince.

Why so many Hong Kong citizens disapprove local films of today? A simple reason that Hong Kong citizens got fed up with maladministration.

This is a film review of The Eight Hundred (China, 2020) which points out pros and cons of the best Chinese blockbuster of the year 2020.

In reality, true and real journalism only means ''fact-telling'' not ''story-telling''. Fiction is unnecessary and even more harmful to us.

This film MULAN 花木蘭is still the most advanced phase of Chinese martial arts film genre no matter how many historical inaccuracies we found.

''Now that is NEWS, Vincenzo, NEWS. And we are NEWS paper! We are supposed to print news, not suppress it!'' - journalist Carl Kolchak

''Any kind of social discrimination is to justify inequalities in class societies.'' A Fugitive from the Past (1965) embodies it.

Dir. Yoji Yamada is undoubtedly the most qualified successor of Dir. Yasujiro Ozu for both Shochiku and the entire Japanese film history.

Sean S. Cunningham defines so called 'unfinished business' and how to help dying people to get it done before their death.

There is no simple Hollywood dualism in Romero's THE CRAZIES (1973). Really an alternative to Hollywood traditional narrative structure.

Leviathan (1989) is not a spiteful anti Soviet propaganda effort of Hollywood. The entire crew of LEVIATHAN is a victim, too.